" In this universe the night was falling; the shadows were lengthening towards an east that would not know another dawn. But elsewhere the stars were still young and the light of morning lingered; and along the path he once had followed, Man would one day go again"

Arthur C. Clarke Against the Fall of Night

Monday, March 28, 2016

New Arrivals

A couple more trips to various Fair's Fair outlets and some more treasures. These trips had a distinctly British Feel.

Yes I did get two editions of The Time Dweller
One cover is by Paul Lehr the other by Alberto Pujolar

A lovely Steampunkish Stephen Jones cover for Before Armageddon

And a  beautiful Jim Burns cover for The Ice Schooner

Three Richard Powers and one Paul Lehr, does it get much better? I have been collecting all the volumes of this Ballantine horror series with the Powers covers that I can find.

Unfortunately the cover of this Laumer is not attributed in the isfdb database. That is too bad because it is absolutely stunning. I have been looking for it for some time. It is much better, gasp, than the Powers cover the same title, see March 7th. 

Yes I came home with a lot of Moorcock. 

I love dinosaurs, so Cryptozoic was impossible to pass up and this cover by Don Punchatz is my favourite of all the covers I have seen for this title.

The Land Leviathan cover is by Michael Whelan, but it goes nicely with the vibe of the Before Armageddon cover above.

The Stainless Steel Rat falls into the very large category of classics that I have not yet read, I liked this cover by Bryn Barnard so it is time I give it a try.

The NEW Atoms BOMBSHELL just sounds intriguing, the cover is by H. R. Van Dongen.

Monday, March 21, 2016

Fool's Run by Patricia A. McKillip

Fool's Run by Patricia A. McKillip, Popular Library Edition 1987, cover artist Micheal Whelan. As my somewhat dog's eared copy will attest this is a novel I have enjoyed quite a bit and read more than once. I first encountered McKillip's work when I found Heir of Sea and Water, the second volume of the Riddlemaster of Hed trilogy in a drug store while attending an archaeological field school in Elk Point, Alberta. The Riddlemaster series now ranks right up there with Tolken's Hobbit/LOTR books for me, and McKillip is really the only fantasy writer whose works I still buy as they come out. As far as I know, Fool's Run is her only SF work.

from the prologue

" Silence, A cliff face black as deep space. A dim, reddish sky beyond it. An oval bent back on itself, all colors or no color, lying on amethyst sand. A concave vision of a red star. The cliff. The oval. The red sun. The vision.
   Silence. Darkness.
   A sound. The prisoner moved her eyes, saw grey. A cushioned chair back angling into a grey uniform sleeve. Wrist. Fingers. A control panel with a Milky Way of glittering lights. Transparent ovals set into grey walls. Oval weapon lockers. She shifted slightly, heard her own breath, then radio static. 
   " Identify."
   " Voice code six: I must go down to the sea again, to the lonely sea and the sky. ' Jailbird, coming home to roost,
One prisoner."
   "Extremely dangerous. Request double guard at the dock.
Request entry code."
   " 'To drift in a world of dreamers, to see no sun' "
   " Challenge."
   "4.057 x 10 (13)."
   "Betty Grable. Jailbird, WGC909Z, request permission to enter." 
   "Entry code C. Channel three. Jailbird. Permission to enter the Underworld."
   A gigantic circle slowly turning against the stars, two rings twisting around each other, one light, one dark. Minute lights flashed from a section of the light ring; the cruiser Jailbird turned toward them. The prisoner stared at the floor. A crystal filament was looped loosely around her wrists. If she moved too abruptly, she would cut off her hands. From the polished grey wasteland grew four boots. If she lifted her eyes from them, she would see laser-rifles. A star exploded in some galaxy in the dark at the back of her mind. Light dazzled across her brain. She made a sound: a rifle shifted. She raised her head slowly, slowly in the wild light.
   The static again. A different voice. "Jailbird. This is records. Name of prisoner?"
   "Terra Viridan."
   The com whistled. "You've got her."
    " Affirmative."
    "Legal status."
   "Her status-sheet is a mile long, can I give-"
   "Give us a printout when you dock. Jailbird. Is she sane?"
   A break of silence. "You ask her. Look into her eyes and ask her."

And so Terra Viridian, who as a conscripted recruit stationed in the Desert Sector of Earth, used her laser-rifle to kill, one thousand five hundred and nine men, women, and children, has come to the Dark Ring, the Underworld, to spend, the rest of her life. 

Chapter one starts in the Constellation Club on the Sunshine Coast, which includes the area formally known as Australia. The Constellation Club is owned by Sidney Halleck, a musicologist and promoter, who collects instruments and bands. His club contains 20 stages with the bands operating behind screens of light allowing the patrons to move from stage to stage. The Magician, the pianist and leader of a band called Nova, has just played Bach for four straight hours, after Nova's last set, while in some kind of trance.  This has been witnessed by Sidney and the Magician's friend, Aaron Fisher a patroller (police  officer) who works in the area. At the same time this is happening Jason Klyes the chief administrator of the Underworld, is fielding two requests. One is from his rehabilitation director Jeri Halpren who wants to work with Sidney to bring a band to perform a concert at Underworld.
The second is from a scientist Dr. A. Fiori of New Horizons, the mental health facility and rehabilitation centre that
Terra Viridian should logically have been sent to, if there had not been so much political pressure to find her guilty. He wants to use a prisoner for Project Guinea Pig, a biocomputer (Dream Machine) which translates brain impulses onto the computer screen in an attempt to help understand and control criminal impulses. 
(I watched a program two nights ago, where scientists are currently using MRIs and computers to actually attempt to do this) And of course the prisoner that Fiori has selected for the project is Terra Viridian. The last piece of the puzzle falls into place when Nova is selected to be the band
will play a concert at Underworld.Then to quote the Magician " Something begins."p.8

Not all aspects of McKillip's universe can immediately be ferreted out. There are no info-dumps and few lectures. She is a writer who shows rather than tells making the reader pay attention to the text they are reading. Which is not to say, she festoons her work with needless slang and in-jokes, to give it a false sense of depth. Any new words, cubers for drummers, sectors replacing countries and continents just supply a hint of the changes time has wrought but the language is straightforward. We find out enough about the world the characters inhabit, without slowing the narrative to add a lot of unneeded detail. The present culture some 5.2 billion people occupy the earth, the asteroids and some of the nearby planets. Regions are divided into sectors and the FWG, Free World Government is the overarching authority. As the Magician states, 

" I wonder how long the FWG can keep its grip on the world.  it's part democracy, part tyranny, part socialist, part plain parental, and it has kept itself alive so far by our memory of near annihilation." p.101

It is certainly not a perfect society, there are separatist movements, terrorist organizations, the patrollers must battle not only financially motivated crime but also random seemingly unmotivated crimes. Sounds a lot like today.

The characters themselves are nicely detailed. Despite the fact that McKillip has chosen to have the members of Nova go by nicknames, like characters in a western or medieval allegory, the Magician, the Scholar who is smart and plays the rod-harp, Questor the vocalist, who is or at least pretends, to be very French, the Nebraskian, the sound man who took the name from an old movie, and the cubers, the Gambler and his replacement, (he does not fly, inner ear problems) the Queen of Hearts, become real people with obvious personalities before the end of the novel. I did notice that a number of the character traits that can be found in the Riddlemaster books, are also be found in Fool's Run. One of the things I enjoy about McKillip's characters is that conversation are often broken off, interrupted, that tone or body language is as important as what is said. Also even after years of working together or being friends her characters do not fully understand one another or know all the details of each others pasts. 

I think this is best expressed in a conversation between the Magician and Aaron Fisher

" "Probably. Sorry I brought it up."
"You didn't." Aaron said helplessly. " You just pulled it out of my head. You just-"..,
"It was in your voice."
Aaron shook his head doggedly. " It was in the silence after my voice." p.75

I find this to be a reasonable approach that mirrors my experience. In my experience we interrupt each other, conceal as much as we reveal, dwell on some topics and avoid others, repeat ourselves, tailor what we say to our audience. Sometimes even our closest friends surprise us and sometimes even we do not fully understand our own motivations and reactions. I think this gives McKillip's work a maturity and nuance lacking in a lot of science fiction. Fool's Run is very much a novel about language and communication. One of the longest discussions between the band members is about the meaning and importance of symbols. The language of the novel is beautiful and evocative, from the fragments of poetry introduced in the security challenges from the prolong, to all the sensory information we receive, about the light, scents and sounds that inform each scene. This is also a novel about how people act and react, many of the characters rely as much on hunch's, intuition, even a slight precognition ability as they do on logical decision making. 

If I had to compare Fool's Run to another book it would be Delany's Babel-17. Stylistically both deal with language and symbol, with visions, intuitions, short hallucinatory  passages of poetry and bursts of sensory experience although otherwise they are very dissimilar works.

""You'll remember," Sidney said tranquilly. " I don't believe anything is ever really lost. Not a note of it. I think we dwell among the echoes of all the music ever played just as surely as we dwell among our ghosts. No instrument is ever obsolete; someone is always born to play it. You play music hundreds of years older than you are; it lingered for that long in the air, beyond all the noises of the world, until you heard a fragment of it, between noise and noise, an intimation of its existence. Then came the quest for it. The hunger."" p.8

Sunday, March 13, 2016

Beyond This Horizon by Robert Heinlein

Fantasy Press, 1948, Illustrated by Robert Beck, Jacket Design A.J. Donnell
When I began reading SF, in my elementary school library, the collection ran heavily to Winston Science Fiction Novels, and Andre Norton and Robert Heinlein juveniles. My experience certainly agreed with  Vinge’s statement below. 

" When I first began to speaking to sf groups, I used to take an informal poll, to see what book had inspired people's love of science fiction. Almost invariably, it was either a book by Robert Heinlein or Andre Norton."

 "Andre Norton: The Mother of Us All" by Joan D. Vinge

Thus I entered the world of Robert Heinlein with titles like, Rocket Ship Galileo, Space Cadets, Red Planet, Farmer in the Sky, Starman Jones, etc. Eventually I graduated to Heinlein’s less juvenile works, short stories, If This Goes On, Sixth Column, Waldo, They Also Walk Dogs, He Built a Crooked House, and novels the Moon is  a Harsh Mistress, The Puppet Masters, Starship Troopers, Stranger in a Strange Land, most of which I loved. But it was with Stranger that Robert and I diverged. It was preachy and for me uninteresting. By then I had meet lots of other SF writers, Van Vogt, Bradbury, Asimov, Clarke and I did not bother with Heinlein’s latter works Time Enough For Love, I Will Fear No Evil, Friday etc. and even then I felt there was something wrong with Farnham's Freehold. So while I would reread my favourite juveniles ( Between Planets, Farmer in the Sky ) I left Heinlein’s more “serious? , adult?  mature?” work alone. A few months ago I decided to reread The Moon Is a Harsh Mistress, a book that I enjoyed in my callow youth, what a cool setting and society, and it was also enjoyed by my geek friends, okay friend, so we could discuss it. I did not finish. I just found the relationships  paternalistic, sexist, misogynistic and the philosophy unworkablely libertarian. Don’t like someone, drag them before a kangaroo court of your neighbours and then toss them out an airlock. Yeah that would work, sounds like a totally impartial system. Around the same time I read The Door into Summer, I suggest you read the first part about the cat then stop, and  Time for the Stars, okay but in both I found the protagonist’s relationship with young girls problematic. Things like time dilation and cold sleep make for the possibility of some odd coupling in Heinlein stories. And so I have become quite critical of Heinlein’s work over all. Flaws in the juveniles grow more pronounced in his mature work, as though his thinking never really matured. The elements of wish fulfilment seems so prevalent in the later works they read like the fantasies of a male’s mid-life crisis with a very shallow top dressing of plot.

One Heinlein novel I remember finding interesting as a teenager was Beyond this Horizon. So I have decided to look at this novel in some detail to see what initially attracted it to me, what I now find a bit unappealing and what I think it tells us about themes within Heinlein's works. As always I will also mention a bit about my relationship with the work.

Some years ago while on vacation I wandered into the shop of my favourite bookseller, 25 plus years and several moves on his part and I am still buying his books, and spotted the Fantasy Press edition of Beyond This Horizon illustrated by Robert Beck, quite a bit of money later it was mine. Then just before Christmas I received his latest e-catalogue, we have never actually lived in the same city, and there was a copy of the April 1942 Astounding Science Fiction with a beautiful Hubert Rogers cover, for Beyond This Horizon by Anson MacDonald (a common Heinlein nom de plume). If my relationship with Robert is strained I still love the Hubert Rogers covers for his work in Astounding. So after antagonizing about which issues of Startling Mystery Stories I also desperately needed, I pushed the order button.

Astounding Science Fiction April 1942, Vol XXIX, No. 2 
Cover/interior illustrations by Hubert Rogers


Since I am most interested in discussing the society Heinlein creates and the relationships between characters I will introduce information right away that is only revealed as one reads through the novel. For this reason this entire discussion can be seen as a form of spoiler. I will however try not to give away the whole plot but rather, as I have stated above, look specifically at aspects of the society and characters Heinlein creates that are of interest to me, The novel is set in the future; after the Atomic War in 1970 mankind begins to use genetic engineering to try to breed war out of mankind. This lead to two further wars, one in which the pacifists are wiped out by the non-pacifists and a later war when the government of the great Khan breeds humans using genetic engineering, deliberate mutation through radiation, surgery on zygotes etc. to create insect like castes of sterile human mules for specific occupations including soldiers. They were eventually defeated and the current society took over. This society occupies North and South America and is colonizing the solar system. The only mention of the rest of the world is fleeting, the longest states " The scattered tribes of Eurasia and Africa, fighting their way back up to civilization after the disasters of the Second War" p 112.

The novel begins with our protagonist Hamilton Felix a designer of arcade style games. paying a visit to the office of his friend Monroe-Alpha Clifford a Director of the Bureau of Economic Statistics, Office of Analysis and Prediction. This meeting serves as an excellent introduction to this brave new future. Clifford's job is to run the computers which calculate any surplus in the production-consumption cycle, the economic welfare of this society requires that these two sides of the economic scale balance. (His computers still use punch cards but given the spotty use of computers in early SF I will settle for this.) Each citizen receives an allowance to live on. They in turn can work a shortened week and receive an additional increase. One of the central societal problems seems to be that even under this system production outstrips demand. People are simply too productive, entrepreneurial, and easily bored to sit at home. drinking beer, watching telly and updating their blogs.The central government must therefore decide whether to increase the citizen's allowance, invest in private business proposals or public works projects or invest in research which sadly almost always creates a greater surplus. What to do with this surplus is discussed a number of times in the novel. At no point is there any suggestion that this could be used to assist the barbarians of Africa and Eurasia. Another element that come out of this initial meeting is that both men are carrying sidearms, indeed most men carry needle beams, Hamilton has a 45 colt automatic because he is a bit of a live wire. Why guns you ask? There are so many good reasons. And these will be explained to Hamilton and us over the course of the novel by the next important character we encounter, Morden Claude Director Moderator of Genetics. Morden fills the mentor/father figure role common in Heinlein's work, a few examples being Jubal Harsha, in Stranger in a Strange Land, Sam Anderson of Starman Jones etc. Morden explains  "An armed citizenry, willing to fight, is the foundation of civil freedom." p144 or "Well in the first place an armed society is a polite society. Manners are good when one may have to back up his acts with his life. For me, politeness is a sine qua non of civilization. That's a personal evaluation only. But gunfighting has a strong biological use. We do not have enough things to kill off the weak and stupid these days. But to stay alive as an armed citizen a man has to be either quick with his wits or with his hands, preferably both. It's a good thing." p223. Society does have a mechanism by which men can avoid this requirement, drunks, the elderly, cowards? and men on official business like the police can wear a brassard indicating your status as a non-combatant.
What about women, we will get to that. Hamilton meets Morden when he is summoned to Morden's office to discuss the fact that he has, to date shown no interest in requesting help to plan children. The Genetics Board exists to help couples, called Planners, planning to have children. The office ensures parents pick the best possible genes available throughout the fertile period covered by the term of their relationship to create the best possible offspring. Hamilton represents a star line and the Genetic Boards board have a mate in mind for him, his fifth cousin Longcourt Phyllis who Hamilton and Morden's ogle via a stereo screen as she is swimming. But Hamilton does not want to have children, it seems that since childhood he had harboured the secret desire to be an encyclopedic synthesist, one of the true leaders of the world, but Hamilton does not have the eidetic memory necessary. Morden assures him that your children would have it, not only would Hamilton's children have an eidetic memory, but they would also have " something lacking which needs to be added and will be added. I said you were a survival type. You are except for one thing. You don't want children…, But it will be corrected at this linkage. Your children will be anxious to have children I can assure you of that." p. 44 (So much for free will, can the Great Khan be far away) But unconsoled, really!, Hamilton leaves.

ogling Longcourt Phyllis by Robert Beck

The next important, from my point of view, encounter is when Longcourt Phyllis visits Hamilton to meet her potential mate. She is, gasp wearing a gun, something Hamilton takes exception to " What isn't wrong with you? I know your type. Your one of these independent women women, anxious to claim all the privileges of men but none of the responsibilities. I can see you swaggering around town with that damned little spit gun at your side, demanding all the rights of an armed citizen picking fights in the serene knowledge that no brave will call your bluff. Arrgh! you make me sick." p 77. But not so sick that after wrestling the gun away they don't engage in the following romantic interlude. "" Put your face up" she did not. He took a handful of hair and snapped her head back. "No biting," he warned, "or I'll beat the holy hell out of you." ah romance in the old days. But don't worry as Hamilton assures Clifford after Clifford has attempted to shoot his lady love in a fit of misplaced social zeal. "" Women will forgive anything."With a flash of insight he added, Otherwise the race would have died out long ago."" p. 162 Boy, Hamilton and insight that was unexpected.   

Below Clifford on a bad day, Gnome Press Edition

One of the more interesting  female characters is the one hundred year old cigar smoking, needlework doing, member of the Board of Policy, Madame Espartero Carvalac who is similar to the pragmatic no- nonsense character of the grandmother Hazel Douglas in The Rolling Stones so maybe longevity helps women earn citizen status in Heinlein's mind.

So what did I like about the book initially, probably the guns, I was/am a Louis L'amour Fan. Also the attempt at creating a society with the four hour day, flying cars, space travel etc. that we were being promised in the 1960's when I read it. The ideas seem even more interesting now when we contemplate, negative income tax, flat taxes, the declining middle class, the EU and all the different economic challenges we face in a heavily automated global economy. Certainly the revolt, quickly scotched, would have attracted me although on rereading I was surprised at how much of the book was set after the attempt to over throw the government. 

 On rereading one of the most prophetic parts was this description of the entertainment at a large party, " Two theatres were available, one of which was giving a continuous performance of all the latest and smartest stereo-reels. the other provided the current spot news for anyone who could not relax without knowing what was going on out of his sight." p.60. 

Umberto Eco in a video I viewed recently, warned against confusing the author with his text. That said there are certainly themes that run through much of Heinlein's work. The paternalistic father figure manipulating the central characters, rebellion often based on the American Revolution, and the poor, often misogynistic treatment of women. There is also an emphasis on an extreme libertarian philosophy, common in SF, with its distrust of authority and  societal good in favour with a kind of survival of the fittest ethos. In Heinlein's defence the antagonistic interaction depicted between Phyllis and Felix seemed common in the movies I watched as a child although the scene were John Wayne kisses an unwilling  Maureen O'Hara in The Quiet Man for example seems a little less vicious than that depicted by Heinlein. The hectoring information dumps that mar his later works are already present although a bit shorter, in fairness this demonstrates a common flaw shared by a number of writers that they must tell rather than show, and while Heinlein does all action, must stop, even when in this novel they are menaced by revolutionaries with guns. I think one thing I took away from this reread is that Heinlein initially, possibly because he came to the game a bit earlier, lacks some of story telling abilities that his contemporaries demonstrate especially when writing adult novels, for that reason the society depicted in Beyond This Horizon is not as vividly depicted as the overpopulated cities of Asimov's Caves of Steel. The action is understated (boring?), lacking the manic energy of Van Vogt in Slan or The Voyage of the Space Beagle. His characters are not as complex and sympathetic as Clarke's in novels like Childhoods End or Deep Range and the novel lacks the atmosphere or emotional impact of John W. Campbell/Don Stuart in Who Goes There or "Twilight". That said Heinlein is a massively important and somewhat polarizing figure in the genre, influencing whole generations of SF authors and his influence can still be seem in SF today. 

Hubert Rogers for Astounding Science Fiction

Monday, March 7, 2016

New Arrivals

Another trip to Fair's Fair Books and some more gems.

The suits, the odd architecture, the rockets ships. This is the future we were promised. I expect the contents to be somewhat pulplish but the cover, the cover. Sadly I cannot identify the cover artist.

A couple of beautiful covers. Peter Till did The English Assassin, Sadly the Shaw is uncredited but I am really looking forward to reading it.

Here we have a couple of my favourite artists Powers for The Star, The World Shuffler and High Vacuum and Lehr for Planet Run.

Another Powers, A Handfull of Time and a beautiful Lehr with a bear on it for Nightmare Journey. It is interesting that SF by Koontz always costs substantially more that the other SF books. Do horror fans make more money, a scary thought .The Masque World cover is by Kelly Freas and the One Against Time cover is by Jerome Podwell.

Then some more ACE doubles for my collection. I thought these titles had some of the more unusual cover art in the Series.

Border, Breed Nor Birth, my very handy copy of Double Your Pleasure the Ace SF double, by James A. Corrick, Gryphon Books states Hinge? for cover artist.

Earthrim, Koutrouboussis

The Noblest Experiment in the Galaxy, Gaughan

In the Pocket and Other SF Stories, Thole