" In this universe the night was falling; the shadows were lengthening towards an east that would not know another dawn. But elsewhere the stars were still young and the light of morning lingered; and along the path he once had followed, Man would one day go again"

Arthur C. Clarke Against the Fall of Night

Saturday, April 15, 2017

How I first encountered George Salter; SF and Horror Illustrator

John Carpenter the writer, director and producer who was involved in the creation of the films Halloween, The Fog and The Thing among others, in an interview in the great documentary Lovecraft: Fear of the Unknown

notes that when he was a "kid" his father brought home a book called Great Tales of Terror and the Supernatural (1944) and proceeded to read him the two Lovecraft stories it contained, "The Rats in the Walls" and "The Dunwich Horror", an interesting choice I must say. 

This piqued my interest and given my fondness for old anthologies, and early horror/weird short stories I soon purchased a copy. There things rested for some time until I was looking for a copy of a short story called "The Other Side of the Hedge" by E.M. Forster. Using the ISFDB website I found it had been published in another early anthology called Strange and Fantastic Stories (1946), the price was right and the rest of the contents seemed good so I purchased it. I noticed some similarity in the covers of both books but I attributed that to the fact they were both published in the 1940's. It was only when I received my copy I realized that George Salter did both covers. 

I immediately looked to see what else he had done and found he had done a number of SF works, (which is why this post is here and not on my HPL blog). He produced covers for The Magazine of Fantasy and Science Fiction in the 1950's and 1960's, I have to admit I don't really care for them. 

He also did the cover of a book I loved as a teenager, Ann Rand's Atlas Shrugged (1957), not SF you say, there is a hidden utopia (Galt's Gulch), an inventor that creates a motor that converts atmospheric static electricity into useable power, and a screw ball philosophy worthy of Mack Reynolds or Robert Heinlein. Also Rand's novella "Anthem" about a superman/scientist figure who escapes a dystopian future society to find the remnants of a more technologically advanced civilization that had previously existed, was reprinted In Famous Fantastic Mysteries in June of 1953. So Rand was obviously a SF writer, personally I enjoyed the mystery aspects of Atlas Shrugged, the unfolding revelations about the life of John Galt. Rand is a bit tough on Eddie Willers though and the people who don't think it's SF seem to be a problem.

But the real gem for me is George Salter's cover for one of the first and possibility still the most important SF anthology ever published, Adventures in Time and Space (1946) edited by Raymond J. Healy and J. Francis McComas.  Highlights include "The Black Destroyer" and "The Weapons Shops" by Van Vogt, "Nerves" by del Rey, "Nightfall" by Asimov, "Adam and No Eve" by Bester, "By His Bootstraps" and "The Roads Must Roll" by Heinlein, "Who Goes There" and "Forgetfulness" by Campbell, "Farewell to the Master" by Bates etc.

Thanks George.

Tuesday, April 4, 2017

Sam Moskowitz SF Historial New Arrivals


Last month I noted that I had purchased Sam Moskowitz's Seekers of Tomorrow.

I have since read a number of the entries on SF authors and enjoyed them enough that I purchased another of his non-fiction works Explorers of the Infinite which deals with earlier figures of interest in the history of SF. I also purchased two anthologies edited by Moskowitz, The Coming of the Robots and Exploring Other Worlds.

Moskowitx is an significant figure in early SF history. As a fan he participated in some of the early feuds, which he chronicled in his book The Immortal Storm: A History of Science Fiction Fandom (1954)

"As a child, Moskowitz greatly enjoyed reading science fiction pulp magazines. As a teenager, he organized a branch of the Science Fiction League. Meanwhile, Donald A. Wollheim helped organize the Futurians, a rival club with Marxist sympathies. While still in his teens, Moskowitz became chairman of the first World Science Fiction Convention held in New York City in 1939.[2] He barred several Futurians from the convention because they threatened to disrupt it. This event is referred to by historians of fandom as the "Great Exclusion Act"."

Explorers of the Infinite; Shapers of Science Fiction
The World Publishing Company, (1957) 1963, Jacket Design by Ellen Raskin

 He was an author, an editor of both magazines and anthologies, taught one of the first courses on SF and was a significant collector of early SF.

"Along with Forrest J Ackerman, he was the most significant twentieth-century American collector of sf books and memorabilia, describing his extraordinary library in "Anatomy of a Collection" (in Science/Fiction Collections: Fantasy, Supernatural & Weird Tales, anth 1984, ed Hal W Hall). Tragically, his library was dispersed after his death."


As I have mentioned I really enjoyed his profiles of writers like A. E. Van Vogt, E.E. (Doc) Smith,  Isaac Asimov, Ray Bradbury, Fritz Lieber, and Arthur C. Clarke among others. While his non-fiction has been criticized for a lack of scholarly rigor, I instead got the impression of a man who knew many of the writers through a long connection to the field, and had a greater knowledge of how their character and personalties influenced their writing than someone who encountered them only through reading their works, and reviews and critical discussions of their works by others. I particularly liked his discussion of A.E. Van Vogt an author I think is now often dismissed or misunderstood. It is said that in the early days of SF a fan could read everything published in the field. I am not sure this is true, pulps and early magazines came and went at a furious rate, but I think they could have read the most significant works. And Moskowitz seems to have tried.

"The entire published science-fiction output of every science-fiction writer discussed in this book (the average career spans more than twenty-five years) was read or rather re-read. ….. Quite literally, it took thirty years of reading  and collecting to make the writing of this book possible." (5) Seekers of Tomorrow, Masters of Modern Science Fiction, Sam Moskowitz, (1961)

"Moskowitz did more original research in this field than any other scholar of his period and few since; no later history of sf has failed to make use of Moskowitz's painstaking work, especially his research into the early History of SF."


I wanted to look at some anthologies edited by Moskowitz to see which stories he selected and what notes he provided. When I saw these covers on the ISFDB database I knew these were the one's I wanted, I loved the covers, I also liked the fact they came with the original Canadian Price stickers. (As an aside, Canadians always pay more for books than purchasers in the United States regardless of the exchange rate, an irritant constantly reinforced by the fact that both prices are listed on the books.) 

The Coming of the Robots, Collier Books, 1963, sadly the artist is not credited. One has to wonder how the robots are going to deal with the large stones, or whether like the early Daleks of Dr. Who, their intentions benevolent or not, may be thwarted by the same mobility issues. 

Exploring Other Worlds, Collier Books, 1963, again ISFDB cannot identify the cover artist.

Sunday, April 2, 2017

Frank Herbert #3, Destination Void (and Dune Series)

Destination Void 1966, cover by Richard Powers

Disclaimer I am having trouble will blogger displaying text odd text breakss, editing does not seem to help.

"Another student had said, "Hypothetical questions like this always bore the hell out of me." (157)(1978) Destination Void. They bore me as well, which is why I did have some trouble finishing Destination Void. Talk talk, talk, I had the same problem with Disch's Camp Concentration and as with the Disch book the ending redeemed an otherwise, for me, tedious read. I will now briefly discuss the Dune series and my Herbert Reread, skip ahead if you want to move onto Destination Void.


Before discussing Destination Void I first I want to mention how my amble through the works of Frank Herbert is going. I love Dune I will make no bones about it, But I never previously gotten past the beginning of God Emperor of Dune. So I decided to read all six Dune related books published by Herbert in his life time. I skipped Dune which I have read many time, skipped Dune Messiah which I had read previously, I am clear on the concept, we all have regrets, then reread Children of Dune. I hit God Emperor of Dune with a full head of steam, 3,500 years have passed, only Leto and a clone (ghola) of Duncan Idaho, (one of many it turns out) remain from the other books, even the sandworms except Leto are gone. Lots of talk, new characters, some character development?? got to the end lots of people die, kind of inconclusive for me because I know there are other books. Heretics of Dune 1,500 years pass everyone except another of the Duncan Idaho clones have died. The institutions/organizations remain, the Bene Gesserit, Ixians, Bene Tleilax and some of the ruling houses, Sandworms have returned to Arrakis. Things seem to be picking up plot wise, human populations who scattered to distant parts of the universe when Leto's empire collapsed have returned. This including a very powerful group lead by women called the Honored Matres bent on conquering known space and destroying the Bene Gesseritt. Herbert starts to build up some interesting ideas, explains some of the cultures, that were only names in the original books groups like the Bene Tleilax are fleshed out a bit more. There is more action, but still lots of talk. Chapterhouse Dune is a direct sequel so we have the same characters although Herbert kills them off at the drop of a hat which makes me feel some of the time spent on character development and philosophical digressions between them seems like unnecessary padding. By the end of Chapterhouse I don't care enough about the characters to be terribly engaged, (I get the impression Herbert doesn't either at the rate they start dropping) it becomes obvious that there will not be a resolution.

I am not sure how Herbert planned to end the books. Chapterhouse Dune was published in 1985 and Frank Herbert sadly passed away in 1986. I do not plan to read any of the subsequent Dune franchise books. I know that may SF writers begin series that are never completed for various reason's but even in the books he finished Herbert seems to be rambling, the interesting bits were abandoned for more discussion. I tired of the digressions, capsule histories, epigrams, philosophical discussions worthy of drunken undergrads, and Byzantine plot after Byzantine plot. I think at some point the writer needs to engage the reader and just tell the story. In creating his books Frank Herbert often played with ideas, Dune was by his own admission based on a desire to stand the Van Vogt Superman concept on it head. 
Damien Broderick in The Cambridge Companion to Science Fiction (51) states “The deep irony of Dune’s popular triumph, and that of its many sequels, is Herbert’s own declared intention to undermine exactly that besotted identification with the van Vogtian superman-hero.” See my discussion of Hellstrom's Hive for another concept based plot. By the last of the Dune books I don't think Herbert's original idea or concept was strong enough to carry the six books and he did not introduce anything to take it's place.

Revised Edition, Cover by Paul Alexander 


"Would you trust an artificial intelligence to fly a combat jet?" …,

""Let us see proper scientific testing and evaluation of the idea before we embark on such a dangerous idea." says Sharkey." 

both quotes for "Computer plays wingman in US air force simulations". David Hambling,
New Scientist, Dec. 3-9, 2016. (23)

Destination Void first appeared in Galaxy Magazine, August 1965. The original title was "Do I Wake or Dream". ISFDB noted that this tile was also attributed to the original publication of The Eyes of Heisenberg, I looked at copy of the text of the Galaxy version online and scanned the beginning and the end. It matched the text of the 1966 Berkley Medallion paperback edition of Destination Void. I read the revised edition published by Berkley Medallion in 1978. It seems to have more framing material than the earlier edition but I only glanced at the first and last few pages of the 1966 edition so there might be other changes. I suspect I may have enjoyed the 1966 edition more, it was shorter. One thing I did realize was missing in the 1966 edition but present in the 1978 edition was the trademark Herbert epigrams preceding some of the chapters. I liked them in Dune but I feel his use of them in so many novels slows the story. In Destination Void a quick comparison of the two versions makes me feel that some of the epigrams as well as a prologue Herbert added to the Revised edition destroy some of the suspense and sense of ongoing revelation to be found in the earlier version. Herbert does discuss the revisions at the end of the 1978 edition should anyone wish to compare texts. 

In Destination Void a colony ship called Earthling is headed for the Tau Ceti star system
it has been launched from the moon on a journey expected to last 200 years. It carries a cargo of 3006 doppelgängers (clones) some as adult bodies in suspended animation, some as embryos. They also have plants, animals and the tools needed to found a new colony. This is the seventh ship tasked with this goal, the first six have failed. The crew consists of six clones, who will maintain the ship under the direction of a "Organic Mental Core" or "OMC" a disembodied human brain that maintains ship function, keeps the cargo alive and pilots the ship. As the story starts only three of the crew are still alive, the others have died in malfunctions or were killed by the OMC. At the start of the journey the ship carried three OMCs one active and two spares. Each has manifested signs of mental illness and had to be removed. Control over all ship functions has now devolved to the three remaining crew, chaplain-psychiatrist, Raja Flattery, (Tim) Gerrill Lon Timberlake life-systems engineer, and Bickel the ships engineer, who took responsibility for destroying the OMCs. Although Tim should be de facto captain Bickel as the most dominate personality takes over command. His first actions are to tell Moonbase what happened and order the revival of a replacement crew member, Prudence Weygand M.D. who is also an expert in computer math, from suspended animation. Only Flatterly and Timberlake are present when Weygand is awaked and it becomes obvious to Timberlake from a cryptic exchanges between the other two that there is a existing plan to manipulate Bickel into certain actions. The message from Moonrise provides three solutions, one, return to base for repairs and a new OMC, a process further complicated in that all the clones have, since their creation been excluded from all physical contact with actual humans. Two, treat the ship as a closed system and proceed to Tau Ceti at a much slower speed, which will involve using some of the clones for ship resources i.e. cannibalism. Or three "to build the necessary consciousness into your robo-pilot using the ship computer as a basis." (32) (1966) The entire concept of human brains in computers reminded me of Raymond F. Jones novel, The Cybernetic Brains,


but without Jones' killer frogs. But why not create what we would now call an Artificial Intelligence on earth or the moon. It seems they did try and the project on an island in Puget Sound resulted in a number of deaths and the eventual disappearance of the island. 

Bickel opts for option three despite some resistance of the rest of the crew. And therein lies a tale.

However it is a tale slowed by bull sessions about the nature of consciousness, how do we know we are alive etc. The various misgivings, insecurities, and moral qualms of the crew figure large and of course things happen to the ship. Since the managers of the project did incorporate some design flaws into the ship as deliberate frustrations to spur the crew to greater efforts and unusual solutions there is some ambiguity, are these changes part of the original plan or do they indicate changes to the computer's functioning  

The main flaw for me is why all the elaborate and expensive subterfuge. This is the seventh ship, were they all launched with most of the crew ignorant of their actual goal. Herbert loves this plot within a plot but it seems a poor way to run a space program or AI experiment to me. They also discuss synergy for awhile, which for anyone that has had to sit through meetings discussing synergy so HR staff and the managers can avoid actual work, this term acts like one of Herbert's key words and can potentially drive the reader into a homicidal rage. 

Another look at an attempt at testing an AI in a non-earth environment is James P. Hogan's novel  The Two Faces of Tomorrow, 1979. 

This is a Herbert novel with a number of his signature tropes, clones and the ability to create successive multiples of the same person to capture know qualities can be found in several of his works, the Duncan Idahos of Dune, Max Allgood the security chief in the The Eyes of Heisenberg. Another theme is the manipulation of people by a combination of training/indoctrination and stress, in the Dune books the Bene Jessit and Leto do it to entire populations. Leto in The God Emperor of Dune does this not only to the Duncan Idaho ghola but also to his servant Moneo and Moneo's daughter Sionado. The more I read Herbert the more I become convinced that one of the reasons for the shields in Dune that limit the use of projectile weapons, is because Herbert loves the hand to hand duel with all it's feints within feints, poisons darts, trigger words implanted under hypnois, plots and traps. In a story like Destination Void the duelling now verbal continues, plot within plot, betrayal nestled within betrayal. Herbert's love for questions of perception and identity also continue, what is human, what is machine what is real, how do we know. The Optimen, Folk, and Cyborgs of The Eyes of Heisenberg, the insect-humans of Helestrom's Hive, the disfranchised clones of Destination Void all raise these questions, I think the original title "Do I Wake or Dream" was probably a better if less commercial choice. And of course via chaplain-psychiatrist, Raja Flattery religion also raises it's head in a project one would expect to be purely secular.

I included my discussion of the Dune novels in the preamble because I think a number of the flaws I that I found in those novels are also present in Destination Void, they were all talky, unnecessarily convoluted, and without clear resolutions. Having said this, the more I thought about the novel the more I saw it as an integral piece of Herbert oeuvre. It really made me think about the themes that Herbert so often returns to in different novels. Herbert wrote several sequels with the poet Bill Ransom and I will read them at some point. I think Destination Void is worthwhile read, but maybe try the 1966 edition, I believe I already mentioned it's shorter.

As I continue my journey along this jagged orbit, serendipity does play a role. While pondering this post I picked up one of the novels my wife purchased,
Six Wakes by Mur Lafferty. It is a murder mystery involving six clones, the crew of a ship carrying colonists to the Tau Ceti star system in suspended animation. It was a good read. I appreciated Lafferty's introduction of (mindmaps) records of the cloned bodies previous lives so they ended up with the same personalities. A body alone does not contain the mind or personality of the individual, something cloning in SF sometimes seems to gloss over. And as one might expect there was more action in Six Wakes than in the Herbert. I was interested in whether Lafferty was inspired at all by Destination Void but in an interview at the back of the novel she attributes the idea to an iPad game called FTL. 

Wikipedia does have an interesting article on the reasons Tau Ceti is a favourite destination for SF writers and it does does mention Destination Void

Cover Design Kirk Benshoff Cover Image Arcanal Images

Saturday, March 18, 2017

Dolly by Elizabeth Bear

 I have over the years read lots of SF, which explains the large number of books and SF themed troikas around here. it also explains why I have decided to devote a part of my retirement to reading and writing about SF. But it spares me from handing out leaflets outside the community centre or being a greeter for the evil empire so it’s all good.

I read this in The Year's Best Science Fiction Twenty-Ninth Annual Collection ed. by Gardner Dozois, cover illustration by Shutterstock.

This predilection for SF means that often when I read SF it becomes associational for me. And these associations often add an extra layer of enjoyment. This is the case with Elizabeth Bear’s short story "Dolly". It is Sunday in Birmingham, Alabama and a billionaire Clive Steele has been found eviscerated in his living room, the only other occupant of the locked home is a blood covered “Dolly“ a robotic sex toy next to the body. It is up to detectives Rosamund Kirkbride (Roz) and Peter King to figure out what happened. I enjoyed the story, the first obvious association and one I was happy Bear makes herself is to Asimov and his positronic brains. “Whatever a positronic brain is, we don’t have it. Asimov’s fictional robots were self aware. Dolly’s neurons are binary, as we used to think human neurons were. She dosen’t have the nuanced neurochemistry of even. say, a cat”. (66)

Another association that came across right away was of ARM investigator Gil Hamilton in Larry Niven’s short story “ARM” viewing the body of Dr Raymond Sinclair in another locked room mystery. But I am also drawn to Ghost in A Shell Two, the animated films of the 1990’s not the one currently featured in trailers, with Scarlett Johansson playing the Major. (Not only would an Asian actress be preferable in my mind , but Johansson is already grossly over exposed through her appearances in the MARVEL franchise.)

Lastly I remembered the character of Richard Daniels from Simak’s All the Traps of Earth the first work I reviewed on this bog. Which is not to say that Bear’s story is a mashup, the genre’s of SF and Mystery fiction have long spawned hybrids, Caves of Steel, The Naked Sun, Blade Runner to name a few, it is fertile ground. Bear manages to add some nice twists, we don’t have to endure the worn trope of an over bearing supervisor pushing for a quick solution. We do have a brief appearance by an odorous corporate shill bent on minimizing negative publicity, in this case Doug Jervis a VP of Corporate Relations for Venus Consolidated, but maybe this is a constant like gravity rather then a trope per se. 

The story is nicely balanced in only six or so pages, Bear intertwines sufficient dialog and description to show rather than tell, integrating the near future environment with the rest of the story seamlessly. The detectives are nicely drawn with distinct personalities and Bear allows the reader to pick up on the nuances of the action without belabouring anything. Also she stops at the correct point in my mind allowing the reverberations of this murder to ripple out across the readers mind rather than the page.

Tuesday, March 14, 2017

Yesterday my wife and I went to the movies to see Kong Skull Island. Upon leaving we received copies of this poster. Yippee!! Free stuff after paying a lot and having to sit through commercials, commercials grrr before the movie it was nice to get something extra. I will not bother with a review there are lots out there. I suspect you already know whether you will like it or not.

I have 20 plus Godzilla CD's sitting 2ft from where I am typing this, a Gamera boxed set, a plastic Godzilla, books including William Tsetse's brilliant Godzilla On My Mind: Fifty Years of the King of Monsters, I just received four Godzilla themed t-shirts by mail, one of the earliest SF films I watched (and still a favourite) was Them and my favourite fan experience was getting stuff signed by Ray Harryhausen when he appeared at a film festival in his honour at the Royal Tyrell Museum of Palaeontology. So yes we enjoyed it.

We will be framing one.

Saturday, March 11, 2017

Michael Dirda reviews Scientific Romance: An International Anthology of Pioneering Science Fiction & Sisters of Tomorrow: The First Women of Science Fiction

Some time ago I encountered the essays of Michael Dirda a Pulitzer Prize-winning columnist for The Washington Post Book World. As someone who is surrounded by more books than I can read in my remaining years, and who purchases even more each month, I was delighted to read the essays of someone who admits he shares much the same hobby/failing/obsession/etc. A critic who still haunts library book sales and used book stores and discusses not just Spinoza, Dickens and Welty but also Dick, Lovecraft, Vance and Doyle. Who in his book Browsing: A Year of Reading, Collecting, and Living with Books notes that he acquired a number of issues of The Magazine of Fantasy and Science Fiction form the 1960's at a library book sale and then discusses the contents noting for example that Carol Emshwiller is one of the greatest living writers of fantasy and science fiction.

So when I noticed that he had just reviewed two anthologies

Stableford's Scientific Romance: An International Anthology of Pioneering Science Fiction, January 2017 and Sisters of Tomorrow: The First Women of Science Fiction, by Lisa Yaszek and Patrick B. Sharp 

thought I would pass along the link.


Friday, March 3, 2017

New Arrivals, Moskowitz, Kornbluth, Wonder

  Some new arrivals via ABE. 

A rubbed and tattered but reasonably priced copy of 
Seekers of Tomorrow, World Publishing Company 
1961 (1966) cover (?)

I had always associated Moskowitz with early fandom and thought his book would be fannish boosetrism. I purchased it because my research indicated that he provided information on the writers first exposure to SF which I was interested in. However after reading his entry on Bradbury I found it fairly balanced so that was a bonus.

I also found that Moskowitz's definition of SF which first appeared in his history of early SF Explorers of the Infinite, quite useful and it is one I will probably use from now on, unless a better one presents itself.

"Science fiction is a branch of fantasy identifiable by the fact that it eases the "willing suspension of disbelief" on the part of the readers by utilizing an atmosphere of scientific credibility for its imaginative speculations in physical science, space time, social science. and philosophy."

My addition to anthologies continues. After the death of SF author Cyril Kornbluth (March 1958) this anthology was created as a memorial. Fredrick Pohl's discussion of it's genesis is available on The Way The Future Blogs.

From Kirkus Review

An anthology has been assembled as a memorial to the late C.M. Kornbluth, by his friends and highly capable colleagues in the medium. Most of them are also familiar to this audience- Avram Davidson, Ray Bradbury, James Blish, Murray Leinster and Jack Williamson. Many of the stories are themed by travel to and survival in other worlds; there's the past too- Poul Anderson's The Long Remembering sends a man back to the Old Stone Age; for a touch of the grotesque, Frederik Pohl's cure of a compulsive consumer- The Man Who Ate the World; and a very nice twist to Theodore Sturgeon's That Low, as a failure specialist attempts to end his life.... Varied and versatile.

Doubleday, 1959, cover by Powers

From the introduction to Godlike Machines, by Jonathan Strahan, "There is something intensely science fictional about the very notion of a big dumb object, embodying as it does both the enigmatic sense of wonder of the best SF and the urge to understand, to examine and clarify."

I am always willing to go looking for that oft lost sense of wonder, and after reading Seam William's  short story "Inevitable" in The New Space Opera 2 I was interested in his story "A glimpse of the marvellous structure (and the threat it entails) in this anthology, although the first story I read was "Hot rock" by Greg Egan (good). 

Science Fiction Book Club, 2010, cover art Andrew Jones design Mathew Kalamidas. 

Monday, February 27, 2017

The Loud Table - Jonathan Carroll

I have loved Jonathan Carroll since I first read his brilliant novel Land of Laughs some 30 years ago and I have read almost everything he has written since. His combination of fabulation, fantasy and horror is perfectly suited to his stories where our everyday urban world transforms into a reality that is anything but. So I was delighted to find that Tor had provided access to his story "The Loud Table".

As an old duffer myself I know that there are two pastimes we indulge in frequentely, the first is gathering with friends to talk for hours over meals or coffee, and once there, to discuss our faltering memories. Carroll has captured this wonderfully in a tale of one such group of friends in search of a new coffee spot, and his has done this in a tale that belongs very much within our jagged orbit. Great stuff.


And if you have not read anything by Jonathan Carroll, please give him a try.

Saturday, February 25, 2017

There Will Come Soft Rains by Ray Bradbury read by Leonard Nimoy

The Martian Chronicles, The Heritage Press, 
illustration by Joseph Mugnaini.

I found this link tonight while searching on Ray Bradbury. I am 
not sure about copyright if I need to delete the link 
please let me know.


Ray, Leonard, thinking about you.

Thursday, February 23, 2017

New Arrivals

Wednesday my buddy Doug and I visited The Sentry Box in
Calgary. It is a large gaming store that also sells new and 
used books. They also maintain an accurate online 
database of stock so you can find out if they have what 
you want before you go. 

I love Kiernan's SF and HPL inspired stories, this novel got
a good review on Speculiction so I was looking for it.
Cover Gene Mollica.


I have discussed several of Lupoff's  HPL inspired stories on my 
HPL site so I was intrigued by these. 

Covers George Barr and James Warren.

Having finished Neuromancer I was able to pick up the next 
two sprawl novels. Covers Richard Berry?, Will Cormier.

And of course anthologies

Covers Lomberg and Darrell Sweet

Some great authors, Ken Lui, Aliette de Bodard, Robert Reed,
Vandna Singh, Liz Williams among others and I love that they 
are small format pbk, cheaper and easier to shelve, hint hint. 

Covers by Pye Parr

And I just have a soft spot for covers with critters like this on
them.  Cover unattributed

Saturday, February 18, 2017

Michael Chabon Attacks Prejudice Against Science Fiction from Wired 03.07.12

  This week my wife and I attended a talk at the university by author Michael Chabon. My wife is a fan of Chabon's writing and has read a number of his novels. I have to admit that despite his reputation, among many other awards he has won a Hugo, a Nebula and something called Pulitzer Prize, I had not read anything by him. The talk was very good, Chabon skillfully weaved his experience and influences from age five onward into a very engaging narrative explaining his world view, which of course is reflected in his writing, (as I understood him) he is a rationalist and a sceptic, wary of anything that smacks of mysticism and personal exceptionalism. He is also interested in both mainstream and genre literature something I am also quite interested in. I guess I should not be surprised that a man who has been a professional story teller in multiple genres and mediums for so long, should be so engaging and eloquent but I was, very pleasantly surprised. His ability to organize and delivery his thoughts impressed me. He has obviously given his experiences and personal world view a lot of thought. It was also nice to hear from someone who obviously looks at the world rationally and critically. Having since read three of his short stories, the steam punk flavoured "The Martian Agent, A Planetary Romance" and two Lovecraft inspired tales "The God of Dark Laughter" and “In the Black Mill,” I am impressed with his writing, and will move on to his novels once I clean up the basement and find them.

I also never realized that he had been involved in the screenplay for the movie John Carter one of several movies, Van Helsing, The League of Extraordinary Gentlemen among others etc. etc. that my wife and I apparently alone enjoyed based on the critical response. Okay it started with way too much earthly backstory, but I always hate back story. I was very happy to find out he was a huge fan of Burroughs Mars books, as am I, so overall I really enjoyed the talk. I have included a link to a interview he gave to Wired which I found quite interesting should anyone care to read more about Chabon's career.

 "I never abandoned genre fiction as a reader at all, and what happened, you know, after The Mysteries of Pittsburgh and Wonder Boys, the book you mentioned, and the short stories that I wrote at the beginning of my career as a published writer, is it presented me eventually with this puzzle to myself of, “What happened to that idea of writing the kinds of books that you love to read?” And yes, the books that I was writing were modelled to some degree or another on other books that I loved, but my diet as a reader had never abandoned things that my output as a writer was just clearly not reflecting, and I wondered about that, like, “Why? Why does my backlist look so monochromatic, when the spectrum of my reading is so multicolored?” And I didn’t really have a good answer."

Michael Chabon Attacks Prejudice Against Science Fiction

from Wired 03.07.12


And I finish with a quote I loved from his (excellent ) HPL inspired New Yorker story, (which I will discuss on my HPL site) that I felt captured some of the skeptical and rational aspects of his world view as expressed in his talk. It is also, in my mind beautifully written.

"Here I conclude my report, and with it my tenure as district attorney for this blighted and unfortunate county. I have staked my career—my life itself—on the things I could see, on the stories I could credit, and on the eventual vindication, when the book was closed, of the reasonable and skeptical approach. In the face of twenty-five years of bloodshed, mayhem, criminality, and the universal human pastime of ruination, I have clung fiercely to Occam's razor, seeking always to keep my solutions unadorned and free of conjecture, and never to resort to conspiracy or any kind of prosecutorial woolgathering. My mother, whenever she was confronted by calamity or personal sorrow, invoked cosmic emanations, invisible empires, ancient prophecies, and intrigues; it has been the business of my life to reject such folderol and seek the simpler explanation. But we were fools, she and I, arrant blockheads, each of us blind to or heedless of the readiest explanation: that the world is an ungettable joke, and our human need to explain its wonders and horrors, our appalling genius for devising such explanations, is nothing more than the rim shot that accompanies the punch line."

from "The God of Dark Laughter"
New Yorker April 9, 2001 by Michael Chabon

Monday, February 13, 2017

The Gernsback Continuum by William Gibson

 "You could hide the Empire State building in one of the smallest of these towers. Roads of crystal soared between the spires, crossed and recrossed by smooth silver silver shapes like beads of running mercury.  The air was thick with ships…," (8) The Gernsback Continuum.

This cover is for Amazing Stories July 1923, Cover by Leo Morey

Some time ago I decided to read up on the cyberpunk classics I had missed. Thus far I have read "Burning Chrome", the short story and Neuromancer by William Gibson and "True Names" by Vernor Vinge. Easily distracted I also read "Hinterlands" by Gibson, brilliant, Bruce Sterling's "We See Things Differently" also brilliant see my earlier post, and "Swarm" a great insect society tale and the first work in Sterling’s  Shaper/Mechanist series. In an effort to get back on track I opened up Mirrorshades The Cyberpunk Anthology edited by Sterling. The first story was William Gibson's "The Gernsback Continuum", based on my previous posts I think we can guess which story I read first. In his introduction Sterling points out that this is Gibson's first professional publication (1981) while noting the importance of Gibson's Sprawl Series Sterling states "But this story led the way. It was a coolly accurate perception of the wrongheaded elements of the past-and a clarion call for a new SF aesthetic of the Eighties." Huh? the 1980’s while the removal of the wall was great and I enjoyed Max Headroom we also had Culture Club, Ronald Regan, Margaret Thatcher and Who's the Boss, wait I can see why a cyberpunk future is so dreary. I for one am still waiting for my jetpack. 

Grosset & Dunlap 1958, Illustrated by Graham Kaye

But on to Gibson's story, our narrator is a professional photographer who has taken a commission from a British art historian Dialta Downes to provide photos for an upcoming book The Airstream Futuropolis: The Tomorrow That Never Was. While Downes is thinking American architecture the narrator remembers the flying cars of the 1950's newsreels, or going back to the beginnings, the streamlined pencil sharpeners of the 1930's created by the first American industrial designers. The story specifically mentions Gernsback, Jules  Verne, Frank R. Paul and Tom Swift, great stuff in my mind. In an effort to capture the desired "look" the narrator photographs gas stations, "During the high point of the Downes Age, they put Ming the Merciless in charge of designing California gas stations. Favouring the architecture of his native Mongo, he cruised up and down the coast erecting raygun emplacements in white stucco. Lots of them featured superfluous central towers ringed with those strange radiator flanges that were a signature motif of the style," (4). 

And it is while photographing these gas stations that our narrator slips into the Gernsback Continuum. Gibson is a very good writer and I was quite impressed with the quality of this, his first published story. He perfectly captures the visual mood of the SF future as depicted the the magazines, books, merchandise, movies and television programs produced from the 1930’s thru the 1950’s. The story has none the gritty nihilistic vision of Blade Runner which I associate with cyberpunk. If anything it reminds me of the moody short stories of Tim Powers and James Blaylock where solitary narrators move through shifting realities infused with the Victorian science of H.G. Wells and Jules Verne, alchemy, nostalgia, California dreaming, and zeppelins. I really enjoyed the story but think in the end I came to different conclusions if I can say that about a short story. I will  discuss this below.

Wonder Stories Dec. 1932, Frank R. Paul
Spoilers and quibbles

The narrator wants to be free of his visions of this “Gernsback” future especially after seeing the inhabitants of this future, “they were white, blond and probably had blue eyes” "They were smug, happy, and utterly content with themselves and their world”, and we are told “It had all of the sinister fruitiness of the Hitler Youth propaganda” (9). The narrator and possibly by extension Gibson and Sterling? see the technological future represented by Gernsback, as helping create our current problems of reliance on fossil fuels, traffic congestion, overpopulation, pollution, violence and racism. For myself I, as anyone who has read the site would know, love the Gernsback/Paul vision even while admitting it is both unrealistic and flawed. However a cyberpunk future while possibly more realistic also stereotypes, women are commonly assassins or prostitutes or both, the Japanese all seem to be augmented ninja or yakuza businessmen. Cyberpunk is still every bit as much about technology and we are still going into space but the ships are a lot more unpleasant and most of us will be indentured servants or cargo.

I know which I prefer, food pill anyone?